It is hard to imagine that I have been here in beautiful South Korea for 4 months.  I am heading home on Saturday and am spending this last week sight-seeing and visiting new places in Korea, including Jeju Island.  
I have made so many new friends and   discoveries. The most exciting discoveries I have made have actually been about myself.   I realize how much I depend on collaboration in the creative process of putting together a play. I realized I have taken much for granted when communicating with someone for whom the National language is difficult for them to understand. I realize how much I " verbally process" explanations and need to streamline my train of thought in order to communicate with speed and thoroughness.  

 I have always been dependent on the kindness of strangers, and the kindness I received through new friends in Korea has been overwhelming.  The language barrier required that I always have a translator , but there were several time I just started speaking Korean, or at least I thought I was doing so until I saw the blank expressions. 
 However, I am amazed by how much we are alike. There are more similarities than differences between people.   The work I did in Busan was based on getting actors to act on their impulses, feel their strength and understand the power of the human experience. Universal them retold through new characters,   are what keep audiences coming to the theatre. 
I was awestruck by the beauty of the Korean people;  Koreans are gorgeous in their hospitality and kindness as well as their faces ( both natural and cosmetically enhanced) and their fashion sensibilities. 

It's hard to believe that Children of Eden will open the end of next week. As we have been technically in rehearsals all semester, this is the longest period of time I have rehearsed a singular play in a very long time. 
 There is something to be said for allowing character development. I see the growth and in each rehearsal, some student finds something new.  We have time to clean and focus scenes. 
 But the length of down time between rehearsals causes  some cast members to forget notes, so there are cons as well as pros. And the  "Luxury of time"  concept is a falsehood- as we still do not have Act II completely blocked.  Because all cast members also pull double duty  as technicians and designers, we cannot rehearse during set construction, light hang and focus, and costume building.  So they are working 16 to 18 hour days to get all finished so that  everyone can be onstage for tech.
We are also slowed down by the language barrier, as every note , question and direction must be  translated. I have learned the value of an economic vocabulary and often use  hand gestures  to signify  " I got it- let's move on."
 Still I am very encouraged with the work ethic and talent pool that Dongseo has provided in these wonderful students. I am eager for them to share their hard work and this beautiful story with audiences.

 But not until we finish blocking!